Tuesday, February 24, 2015
Blog Week 6:
Ken Robinson TED talks “How schools kill creativity”.
The gift of imitation, how true that we are trying to
educate children for the future, because right now we don’t know what the
future is. All children are born artists and they grow out of this. Wow oh wow.
If we did not grow out of it, where would we be? This can boggle the mind. The growth that could happen
within just one person is great. We, as a whole, could be amazing THINKing so
outside of the box all the time. We, as the human race, could do anything and
we would value everyone.
Emily Pilloton “Teaching design for change”.
I do understand what its like to go to school in a small
town, where only the best and richest students get out or go for higher
education. Coming from rural Mississippi, we had firsthand knowledge of what
its like to see this. Without education these students do not leave the area or
have opportunities to change their lives. I love this list that helped redesign
rural schools that offer ways to help students find success.
1. Design through action
2. Design with, not for
3. Design systems, not stuff
4. Document, share, and measure
5. Start locally, and scale globally
6. Build
Using design within the public education community goes
right in and helps students have an atmosphere of learning. Redesigning
education to fit what or where students are within their own community so they
can learn. I do have a burning passion that goes right along with changing
education in the rural education system. This is a great project that can work
within the rural school systems, but also within all schools.
Blog accompanying the video reflect on:
How does your artistic process echo your what you imagine
your teaching process to be?
The way that I work through new artwork is also the way that
I would work through teaching a lesson to my students. First, what will be the
connection that I want to use? Second, what will the materials be that help
tell or talk about the connection. Then it’s off to do research that can inform
or help me understand other artists that have worked through this connection or
with what materials before. Then, at this time, I like to draw out what I see
formulating in my mind. Then there will be a lot of reworking or tweaking until
I see it coming together. This is a great time to have friend or classmate over
to talk about the work, seeing what they might be seeing within the work. Having
a notebook and pen to take notes is a great thing here. It’s a way to go back a
re-read what was said then and to work and re-think the connection with the
materials. Finally, understand that artwork can and most of the time has a mind
of its own and sometimes with take you to new place within your own artistic
growth.
I need to have other voices that help me think through what
I am working on. I need a sounding
board to see the work outside of the box that I am working within my own mind.
I would ask my students to do the same within the classroom, through one on one
discussions and classroom critiques. Thinking and re-thinking about the what,
why, and how about the work is also a great way to have the students and
yourself re-think about what the work is saying.
Sunday, February 22, 2015
Friday, February 20, 2015
Week 5 Blog: Reflective Teaching
Right out of the box, on page 50, a reflection on teaching: Remembering
past lessons, watching a videotape of our own instructional practice, talking
with colleagues about challenging teaching issues, and watching others teach
material we have taught (or never taught) before – these are all routes to
reflection.” For me, I see all of
these as great tools to put in my bag of education. As someone that is on the
other side of teaching this year, I’m allowed to sit in three or four different
classrooms a week with three to four different teachers. I have the opportunity
to watch and see how each of these teachers comes across to their students. I
do miss not being in front of the classroom, but I think that I’m learning more
from this side after teaching for the past three years.
Teachers, traditions, and teaching: All labels that can be used for good
if we, as educators, think outside the standard box. Tradition is a great place
to start from. I feel that we need to go with the flow sometimes. If a student
does not understand the way we are teaching, then educators need to rethink
what would help that student. I do love the line on page 52, “we may value the
child’s perspective and still insist that certain bodies of knowledge and
skills need to be conveyed and mastered. In teaching we tend to mix some of the
different traditions together.” This is talking about going from a traditional
viewpoint and making adjustments along the way for each student. “Change over
time”, educators are changing after each lesson they teach. Once they know the
student’s reaction to that lesson is they can start the rethinking
process. Would the students
benefit if the lesson were presented using a different technique? It could lead
to a better understanding of the material, which would enhance the student’s
effort and knowledge in the class.
Love, love this “ Learning is risky business; it requires
one to absorb unfamiliar and often challenging ideas, and it frequently
requires one to change one’s mind.”
Self, Student, and Context in Reflective Teaching:
Amy asked me a question from last week’s blog “I also enjoyed
your comments about mentoring and wondered if you see a difference between
"mentoring" and "teaching"? It’s an interesting thought and one I contemplate often.
Kathy and I are currently doing research around the topic. :)” My answer was,
“I want to say they are the same thing, but come from different angles.”
Teachers are mentors, with the purpose of teaching a subject and mentoring
comes from helping someone move through the world with experienced insight. I
might not be right, but it’s a way for my mind to see it. Reading on page 77
–“What is the role of the teacher in teaching? We further delineate distinct
understandings of what it means to SERVE students.” If we are serving student’s
needs, we have to come from our own experiences in life that makes us also
mentors in the classroom. On page 78 “Teachers draw upon various resources to
engage in the daily efforts of teaching.” In other words they are mentoring
them through their job of teaching. So does that make us professional mentors?
After reading chapters 5 and 6, I don’t have the answer for her question, but I
do see myself reflecting on the way I see myself as the teacher. I’m there to
provide each student with the best education that I can give them through the
experiences that I have been through.
Chapter 5 Marzano
Reflecting back on my own classroom, I see many great ways that could
help me in the teaching process. Having a daily journal or a weekly one would
help me remember the way I thought through something and reflect on each
student and they way each one learns and assess individual progress. Also, by
adding a student survey/ feedback form, the teacher can evaluate what they
liked and what we need to focus more on. This would be a great help as I teach more
than one class a day. I cannot imagine teaching six classes a day and teaching
them all the same thing?
During my VTS class with Mary last semester, we had to videotape our
classroom with the students during the VTS lesson. Going back over those tapes
was a great way to help change my teaching style. I used the videotapes as a
classroom tool to help me find ways to developed different teaching styles.
As you view your
own process of art making which you filmed, do you notice process’s emerging
that align with any of the traditions discussed in the reading? Explain? I see my artwork
changing all the time, see someone else’s work, talking it over with a group of
peers, or walking through a gallery. My artwork and I are constantly changing,
growing and is a major challenge to me personally. In the book it talks about
where our viewpoint comes from, mine is always in a state of flux, trying to
make it better than the last.
How do you think
your own artist process inform will inform how you teach? Describe what you
noticed about HOW you learn and process when creating artwork? Learning is a
major think tank for me within the process of creating artwork. The more I talk
about the work, the more I need help in changing what and how I see the artwork
develop. We, as artists, have to understand what is going on within the
artwork, but also we, as teachers, have to understand what we are doing. It will transfer to our students. They
see us working or having an art show.
They will process this as a way for them to find new meanings within
their own work. For me, teaching is a way to try new things that I might not
have tried. Within the classroom we get to experiment with things outside of
our normal practices.
Monday, February 9, 2015
Week #4 Blog: Visual Metaphor
Visual Metaphor
I'm the Heart and Soul in my classroom
I mark’d, where, on a little promontory, it stood, isolated;
Mark’d how, to explore the vacant, vast surrounding,
It launch’d forth filament, filament, filament, out of itself;
Ever unreeling them — ever tirelessly speeding them.
And you, O my Soul, where you stand,
Surrounded, surrounded, in measureless oceans of space,
Ceaselessly musing, venturing, throwing,— seeking the spheres,
to connect them;
Till the bridge you will need, be form’d — till the ductile
anchor hold;
Till the gossamer thread you fling, catch somewhere, O my Soul.
“So much of teaching is rooted in who we are and how we
perceive the world.” I believe in this statement. I also believe that a
classroom should be a home away from home for each and every student. If they
do not feel that they are safe and welcomed within the classroom, they will not
be able to do their very best work. Home is the place we get our beliefs and
start to have conceptions and an understanding of the world around us. So within our classroom practices we, as
teachers, need to have a relationship with our students that provide a
productive learning environment. We also need to remember that just like our
students, we are learning the world around us too. These experiences, which
they are going through, will show that the knowledge they have learned in the
classroom was vital and they carried this knowledge on in their own methods of
making art.
If we have values in what we are doing, our students will
see this and transfer those practices into their work. On page 26 Handal and
Lauvs talk about the framework to maintain three theories that help within the
structure of teaching, “personal experiences, transmitted knowledge, and core
values.” These are determined by an “individual’s central values, personal
experiences, and received knowledge.” Each and every one of our students comes from
different backgrounds as we do. With this in mind, we cannot take how we see
the world, but we have to step back and ask ourselves is this normal for this
group of students or is there something going on. This is where we, as teachers,
find the value of knowledge in personal experiences and use our own concepts to
help them through what they need. Now, I’m not saying that every student needs
this every time there is a problem; this is why we have to get to know our students. We have to get to know their families
on a personal individual level.
We have all had experiences with teachers that helped us or
harmed us. Coming from different location in the United States, I have had
teachers that did not understand my interests or me and they did not want to
understand my background. I have
had some amazing teachers.
Regardless of what was going on in my life, they were there for me and
made sure I was successful on my chosen path in life. One teacher, that made a
big impression on me, was Tom Nawrocki. He is an amazing international
printmaker. He took his own time
and money to make sure that I, as a student, went beyond that place that I was
at. To this day, I know that is why I am where I am today. He willingness to step
outside of just being a teacher and becoming a mentor has had a positive mark
on me. Professor Nawrocki began to
develop early signs of Alzheimer’s and retired after I graduated. He gave me the tools to find my own
way. Now, Proof Nawrocki did not always have students that were artistically
talented. Daily he would
have students breaking out into emotional outbursts in his classes. I had the opportunity to see him take a
student aside and help them through a hard day.
Summing things up here, we, as educators, have to change
with the times and within our own classrooms. We have to learn new ways to
encourage our students. It’s our job to help them become better people and
better artists.
Thursday, February 5, 2015
Week #3 Blog: Open Mindedness Responsibility, Wholeheartedness
I want to start this blog about the question in chapter 1. What
distinguishes reflective teaching from non-reflective teaching?
I see this as someone that questions his or her teaching
style. They question the context of their work, the why (the meat of the
meaning), they also ask what materials or framework will bring across the
meaning to be considered in the examination of what they see as the basis or
the genesis of the problem. They question themselves as teachers. They bring values to the classroom and
to their students. Is their curriculum the right one to help in the development
of the student?
VS
Someone that just finds the fastest way to make the
curriculum work. It’s not the right method for the situation for this class or
these students. Someone that does not think over what needs to be changed and
then makes those changes that with effete each student.
No one has the right answer without having a basis of
research and thought. Children come in so many different development stages and
social backgrounds that we as teachers need to find what will fit for each
student or that class. Not just what has worked before? Teachers and students
are on a learning path that changes from day to day. What to do with problems
in the classroom is a big problem that as teachers we need to find new angles
that will help and benefit the growth of our students.
Without a framework of knowledge how can we help the
problems that affect the students within the classroom? Teachers need to help
themselves by recognizing what change is needed through different developmental
paths and reflect on which will be the best for that student on that day.
Analyze the traditional teaching role that some of us older
students grew up in. If you did
not fit into the mold of the prefect student, then it was your fault that you
did not learn and not the teaching style that was being used. These teachers
get into the habit of explaining just one possibility as the solution. By doing
so they lose one or more students and they become expendable.
We, as teachers, have a responsibility to the students. If we use old approaches, we will loss
students. I feel, as a teacher,
that we should never lose a student for not understanding what we are teaching.
Yes, we are human and flawed. This does not excuse us from the responsibility
to our students and that learning more is a reflection on the correct approach
to teaching and facing the consequences that come along with not understanding
our own students.
I do love where Dewey says, “He meant that open-mindedness
and responsibility must be central components in the professional life of the
reflective teacher”. That is a very powerful statement as a teacher and as a
person. We must have an open mind to change, if it’s within you or within your
student’s abilities. We are all
learning something new everyday. If we are not thinking inside and outside of
the box at the same time, then we are not thinking. I want to add to my
curriculum for my students the questions that are asked on page 13. What ways might the structure of
classrooms and schools contribute to and/or discourage teachers? I would also add, do you want your
teacher to be reflective about what they are teaching?
We need to be mindful of what we are teaching and does it
fit our student’s needs. We must change to fit the student and not
the classroom or we will lose great minds in the process.
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